赫克托·埃瓦维的设计工作室在墨西哥城开设了一家日式餐厅，这家餐厅采用了深色内饰和圆柱形橡木结构设计。该餐厅位于圣达菲商业区，是日式餐饮品牌ToriTori在墨西哥城的第五家餐厅，它坐落在公司办公大楼的一楼，包括几个用餐区和一家日式快餐店。在12世纪到19世纪，日本使用的防护罩也采用了金属、木材和皮革组件的组合。黑暗墙壁上的几何图形参考了日本文字中使用的汉字，一个符号就代表整个单词。
赫克托·埃瓦维（Hector Ewrawe）的设计工作室在墨西哥城开设了一家日式餐厅，这家餐厅采用了深色内饰和圆柱形橡木结构设计。该餐厅位于圣达菲商业区，是日式餐饮品牌Tori Tori在墨西哥城的第五家餐厅，它坐落在公司办公大楼的一楼，包括几个用餐区和一家日式快餐店。
A cylindrical, oak structure scales the dark interiors of this Japanese restaurant in Mexico City created by Hector Ewrawe’s design studio.Located in the commercial district Santa Fe, the restaurant is the fifth Mexico City outpost for Japanese eatery Tori Tori. It is on the ground floor of a corporate office tower and encompasses several dining areas and a Japanese grab-and-go shop.
在720平方米的空间中，Esrawe工作室通过运用深色的墙壁、天花板和地板，创造出一个黑色的背景来展示浅橡木的细节。
Esrawe Studio has used dark walls, ceilings and floors throughout the 720-square-metre space, creating a black backdrop to pale oak wood details.
餐厅四周由玻璃墙组成，一进门便是酒吧和外卖档口，由仿照Esrawe Studio的Trama架子设计的盒子状的木制结构围成，既能用来展示日本的食物和零食，还能作为起到分割空间的作用。
Tall glass walls enclose the restaurant, and upon entering is a bar and the grab-and-go shop. A wooden structure modelled on Esrawe Studio’s Trama shelf design provides box-like storage for displaying the Japanese foods and snacks, and doubles as a divider.
餐厅内部的几何结构被重新设计为圆柱形结构，向上可扩展三层楼高的房间，顺着圆柱体的外表面，成百上千的浅色木板以类似鱼鳍的角度整齐排列。圆柱体结构的切口设计参考了武士盔甲，复杂的保护层和小零件共同组合。在12世纪到19世纪，日本使用的防护罩也采用了金属、木材和皮革组件的组合。顾客则顺着圆形的铁板烧桌入座，为他们准备的食物将会被放到圆柱形的木结构下方。
The geometric construction is reimagined deeper within the restaurant as a tall, cylindrical structure that scales a triple-height room. Across the grid, hundreds of pale wood panels are placed at angles for a fin-like design.The cut-outs are designed to reference Samurai armour, whose intricate protective plating comprised small parts layered together. The Japanese shielding, used from the 12th to the 19th centuries, also featured a combination of metal, wood and leather components.A circular teppanyaki table, where patrons sit around a cooktop watching the food prepared for them, is placed underneath the timber structure.
另一个就餐区天花板较低，放置了四人桌，更适合亲密的四人关系。在开放的就餐区四周围绕着在天花板上打开的窗户，将自然光引入原本黑暗的空间里。黑暗墙壁上的几何图形参考了日本文字中使用的汉字，一个符号就代表整个单词。
Another eating area has low ceilings and is more intimate with four-person tables.Floor-to-ceiling windows surround this open eating area to usher natural light inside the otherwise dark space.cross the dark walls are geometric graphics that reference Kanji characters used in Japanese writing. The logographic signs represent entire words.
项目信息——
创意方向：赫克托Esrawe
建筑理念： Esrawe工作室
项目负责人：平成卡莫纳
设计团队：哈维尔·加西亚-里维拉，莉莲·贝当古，罗伯托·冈萨雷斯，克里斯蒂娜·马加，维安达维拉，恩里克·托瓦尔，亚伯拉罕·卡里略，VIVIANA孔特雷拉斯，凡妮莎·奥尔特加
顾问：卡萨力士，HF Arquitectos，Grupo Bimer，高科技服务公司，Figueroa y del Buen，Alusa，Ansul，CTC Ingenieros，JoaquínCeballos，CecilioRodríguez，OscarRodríguez
照明： Luz en Arquitectura
Project credits——
Creative direction: Hector Esrawe
Architectural concept: Esrawe Studio
Project lead: Heisei Carmona
Design team: Javier García-Rivera, Lilian Betancourt, Roberto González, Cristina Margain, Fabián Dávila, Enrique Tovar, Abraham Carrillo, Viviana Contreras, Vanessa Ortega
Advisors: Casa Lux, HF Arquitectos, Grupo Bimer, High Tech Services, Figueroa y del Buen, Alusa, Ansul, CTC Ingenieros, Joaquín Ceballos, Cecilio Rodríguez, Oscar Rodríguez
Lighting: Luz en Arquitectura
